By Zubeida Mustafa
THE Human Rights Commission of Pakistan is the conscience of the nation. If a human rights transgression occurs, the HRCP reacts promptly. Every year, it publishes a report on the human rights situation in Pakistan, pointing out to both the authorities and the people where they are failing. It has been doing this for 35 years.
By Zubeida Mustafa
AS Pakistan goes through turbulent times on the political and economic fronts, women sink deeper and deeper into poverty. No one seems to care, least of all those leaders who are responsible for the public chaos, the economic uncertainty and insecurity they have created by their casual stance on serious issues.
Continue reading Women in povertyBy Zubeida Mustafa
WHEN Ameena Saiyid organised the first Karachi Literature Festival in 2010 she had hoped it would inspire others to hold their own festivals and thus start a movement. She succeeded to an extent. A number of literature festivals are now being held in the country. Ameena was then the managing director at Oxford University Press (OUP) and had the resources and clout to initiate an undertaking of this nature. She also had Asif Farrukhi by her side to indigenise the festival. Literature from our own languages made the KLF more inclusive.
Continue reading Whither culture?By Zubeida Mustafa
BALOCHISTAN is a paradox — like a jigsaw puzzle with pieces that do not fit. The recent tragedy — the brutal mass murder of 11 Hazara miners in Mach — is testimony to this paradox. It is bizarre that, periodically, a cultured people with a rich tradition of poetry and learning should be subjected to such atrocity on the soil of Balochistan by brutes under the protection of non-Baloch.
Continue reading Baloch paradoxBy Zubeida Nustafa
A REGULAR event from the pre-pandemic age that I miss a lot is the Children’s Literature Festival spearheaded by Baela Raza Jamil. Held regularly all over the country, it was designed to unleash the power of the mind.
From the treasure trove of memories I have of the festivals, there is one that never fails to delight my heart. That was recorded at the Children’s Literature Festival held in Turbat in 2018. It was the theatre session in which a bunch of inhibited, shy and reserved youngsters comprised the participants. The resource person was Atif Badar, who struggled to overcome the language barrier with the help of two Balochi teachers. There was also the challenge of drawing the boys out of their apparent reticence.
Atif was directing a play that was to be presented before the chief of army staff. Sociocultural barriers also made the actors nervous as they were required to deliver a dialogue that to many of them must have appeared to be mumbo jumbo — Urdu not being their native language. Then something happened. With prompting from their teachers and the excitement of entering another world, the boys perked up, demonstrating confidence. Atif, who is always encouraging and reassuring as a good teacher should be, got these youngsters to perform a wonderful play, projecting the importance of storytelling and reading. The impromptu actors were wonderful and received a loud ovation from their audience.
Above all, the performers enjoyed the new experience. That is the magic of theatre. That has always attracted Atif to theatre in education which he believes is important to teach children the skill of communication and improve their confidence. He acquired his own skills from Sheema Kermani’s Tehreek-i-Niswan whose contribution to theatre in Pakistan is unmatched. Although he has been teaching theatre for 10 years in some prestigious schools in Karachi, there are few who really appreciate the value of theatre in education. At the most, theatre is equated with the annual play performed on Parents Day in schools. It is not a regular subject used as a tool of learning. Article continues after ad
Continue reading Magic of theatre