Category Archives: Culture and the Arts

How Young Pakistanis Help Themselves

By Nudrat Kamal

The challenges that Pakistan’s young people face today are significant and pervasive, and can be addressed only through sweeping systemic changes. Notwithstanding these challenges, many young people are defying great odds to become conscientious and engaged members of society. They are innovative in devising activities for themselves.

Karachi, a city of 18 million, is often plagued by violence and crime. Yet these young people have found effective platforms—self-created or provided by sponsors—for tiatives to tackle their numerous problems.

First Response Initiative of Pakistan (FRIP)

The idea of FRIP was born in 2010 at the scene of a bomb blast. Dr. Jahanzeb Effendi—then a medical student—was a horrified witness to the devastation and human suffering that followed. What shook him more was the amateurish response of rescue workers, security forces and volunteers to the emergency. They had no idea how to give assistance to the injured. Effendi, who was 23 at the time, decided to get trained as a first responder so that he could help people in such situations.He mobilized his fellow students and established an organization dedicated to training people in basic life-saving techniques in emergencies. FRIP conducts first response training for medical students and young doctors, who then in turn teach the techniques to personnel from various security agencies. FRIP has specifically tailored its comprehensive training course to indigenous trauma needs. The group also organizes free-of-charge awareness campaigns.“The average Pakistani knows absolutely nothing about first aid and some of the practices adopted actually hurt the trauma victim,” said Dr. Nadir Haider, who joined FRIP as a medical student.Today, FRIP has a membership of about 100 medical students and doctors, all trained first responders. Effendi is satisfied with FRIP’s progress and explained how 30 youth from the low-income area of Moach Goth who were also trained are now responsible for helping victims of trauma in their violence-riddled neighborhood.

Funding is still a challenge. Haider insisted that “life-saving knowledge should be available to everyone free of charge.” Hence these young men and women are volunteering their services without any compensation and the equipment they use has been donated by Indus Hospital.

Haider describes youth as the phase of life in which a person has the energy and the passion to help the community. “The future of health care in Pakistan is entirely dependent on young doctors and the choices they make,” he said.

The Karachi Walla

Karachi’s charming culture has been under threat for years. Violence and instability are its biggest enemies. Elders reminisce about the city’s glorious past of which the younger generation has little awareness. Yet young Karachiites have not given up on the city. Farooq Soomro was 29 when he took it on himself to unearth the city’s hidden gems five years ago. He would conduct walking tours around the city’s many scenic locations.

Soomro launched this adventure when he realized he didn’t really know the city where he was born. He looked to the Internet to explore it but was disappointed by the lack of information to satisfy his quest. Knowing about The Delhi Walla, a website that has helped many Indians discover the incredible city of Delhi, Soomro wanted something similar for Karachi. Deciding to take matters into his own hands, Soomro began putting up photos of the places in the city that he discovered during his many excursions.

When his blog The Karachi Walla took off, he met many other Karachiites like him who wished to know their city better. By popular demand, Soomro began organizing walking tours around the city. “Initially my clients were mainly tourists,” he explained. “But now a lot of Karachi youngsters have shown a keen interest in finding out more about their city.”

Soomro takes people to see lesser-known places in Karachi, such as the community houses of the Goan Christians, Sikh gurdwaras and Masonic lodges. He credits social networks and online platforms such as Instagram and Flickr for reigniting an interest in Karachi, especially in the city’s young people.

Soomro believes that the youth view Karachi from a fresh perspective. “While older people long for the city of yore, we [young people] are pragmatic and see the city in a new light, embracing its decaying beauty unconditionally,” he said.

Nritaal

Progress in the creative and performing arts in Pakistan is hindered by creeping religious fundamentalism. Nevertheless, there are artistic young people who chase their dreams. For 20-year-old Suhaee Abro, dance is a passion that she refuses to give up. Having practiced classical dance since the age of 7 with renowned dancer Sheema Kermani, Abro believes that dance is her destiny, despite the fact that dancing professionally is frowned upon by conservative elements in society.

To promote the performing arts—notably dance, music, theater and poetry—Abro, along with her artist father Khuda Bux Abro and musician friend Ahsan Bari, co-founded Nritaal. This music and dance group, which consists of young and aspiring artists, was named by combining the words “nrit” (dance or theater) and “taal” (rhythm). It reflects the group’s idea of combining different art forms in new and innovative ways. The group puts together dance performances accompanied by live music.

Abro says that the best part about young dancers and musicians is their ability to bring freshness into traditional dance forms. “Young people inject creative ideas into this genre,” she said. “There are many young people like me who like to present the old art forms in a new style.” Abro believes there is a lot of passion and potential for dance as it provides an avenue for the expression of youthful talent and creativity, giving a sense of fulfilment to the performers. But she laments the dearth of opportunities. “There are only a few places that support or teach dance and music and their charges are generally high,” she said.

 

Lyari Youth Cafe

Nestled among the narrow, winding streets of Lyari, an area of Karachi with 1 million people and a history of drugs, crime and gang violence, is a safe haven for the youth. Known as the Lyari Youth Cafe, the two-story building (with a third under construction) is a meeting spot for young people. The venue holds regular film screenings and organizes plays as well as art and music contests to foster creativity and talent. Bakhtawar Imtiaz, a 17-year-old Lyari resident who is doing her A Levels (high school) in the social sciences, is one of several young volunteers at the cafe. “Every evening we hold one session or another to engage and entertain the youth. Sometimes they are just discussions about the goings-on in the city and around the world,” she said.

According to Bakhtawar, the opening of the cafe has significantly changed Lyari. “Before the cafe, young boys would loiter around the neighborhood tea shops and waste their time,” she explained. “And the girls would be confined to their homes.” The youth craved for a place of their own. Now 50 or 60 girls and boys show up in the evenings for the cafe sessions. Charging a modest membership fee of Rs 60 (60 cents) a month, the cafe serves free tea and coffee to visitors. Cafe volunteers tweet about their upcoming events to inform interested members.

To augment the education of the youth, the cafe arranges free tutoring for children of the neighborhood. Zohaib Panhwar, 20, who is pursuing a bachelor’s degree in business administration, is a volunteer teacher there. “The biggest challenge Lyari children face is the inaccessibility of education,” he said. Young boys do not want to study because they believe they will never find a job if they do. Girls become dropouts on the insistence of their families.

Earlier this year, the cafe organized a screening of documentaries made by 25 teenagers of Lyari. Titled “Stories of Lyari,” the event showed 10-minute films depicting stories of courage, resilience and ambition—the way the residents of Lyari really see their neighborhood. Bakhtawar, who is passionate about photography and moviemaking, was among those whose films were screened. She recalls the hardships faced by aspiring moviemakers. “There were gunshots and bomb blasts two streets away,” she remembered, “but we went ahead and made our films anyway.”

Source: Truthdig

Creating a Safe Haven for Pakistan’s Youth

By Nudrat Kamal

geust-contSohail Rahi, 44, and Nadeem Baig, 45, the duo who established the Lyari Youth Cafe in Karachi, Pakistan in 2012, were in their twenties when they first took up the cause of the youth in their neighborhood. In 1990, they began organizing street schools to make education accessible to the underprivileged boys and girls of Lyari. Two years ago, the idea of the street schools was developed further, and the Youth Café was launched.

When I visited them recently, we sat on the rooftop of the two-story building in the heart of the city’s bustling Lyari neighborhood that houses their brainchild. On one end of the roof is a small kitchen designed to provide free tea and coffee to visitors. The remaining area has small tables and chairs. On the floors below are makeshift desks where free classes are held for local children. The walls are covered with bright handmade posters proclaiming messages of peace and positivity Continue reading Creating a Safe Haven for Pakistan’s Youth

TV then and now

by Rifaat Hamid Ghani

TV started out in Pakistan as a government monopoly dressed up as a semi-autonomous corporation. There was every reason for PTV to be a disaster, yet it was an enviable success.

President Field Marshal Ayub loved it for its power as a propaganda tool that dispensed with literacy requirements and had more magnetism than the radio. Aslam Azhar, PTV’s defining and trail-blazing station-manager, loved it for what it could do to educate and inform. That was the idealist in him. The actor in him loved it because it was a creative medium. The PTV he nurtured with a board of imaginative mandarins to back him, had an egalitarian working environment and it changed norms and mores.

All within the parameters of the Ministry of Information’s most stringent rules the new medium empowered women, dignified the artiste, and changed social conventions. PTV gave the artistes and creators of drama, music, dance, a place to go and be and earn. It gave the entertainment industry a respectability which assured parents their young could participate despite the amazingly irregular working hours and rather low grade recognition granted the programme producer, bureaucratically speaking. Of course the outreach of PTV’s state propaganda was soul-deadening – but even so programmes like Alif Noon redeemed much. And in terms of professionalism and entertainment value the quality of PTV programming and production and technical transmission dominated the region and was an exemplar.

Cut to now. Continue reading TV then and now

Education myths

By Zubeida Mustafa

IT is budget time in Pakistan and one issue of special concern to the people is the attention that the education sector will receive from those who hold the purse strings. In the federal budget for 2014-15 Finance Minister Ishaq Dar announced an allocation of Rs63bn for higher education. The true picture will emerge only when the provincial budgets are presented, as they address the bulk of the education sector.

There are, however, a number of myths that surround this vital area of national life. One that has been perpetuated for long is that the more funds poured into education the more the latter will improve. For long the size of the education budget has been used as a yardstick to measure the government’s commitment to this sector. Hence the boast generally in budget speeches about the size of the education expenditure. Continue reading Education myths

A life journey or a travelogue?

By Zubeida Mustafa

A question very often asked of writers is why do they write. Khushwant Singh, India’s best known author and journalist, said he wrote to inform, amuse and provoke. The author of Pearls from the Ocean , Parvin Shere, quotes the American writer and poet, Maya Angelou to answer this  question.  “There is no agony greater than bearing an untold story inside you,.” Says Angelou.

For Shere this untold story has to find expression and it does in three forms, prose, poetry and painting. She could not have been more articulate in giving expression to the discovery she made when she submitted to her  urge to penetrate the barriers of faiths, languages and cultures: the Earth  is home to all humans and their  oneness binds them together, but…

Continue reading A life journey or a travelogue?