Category Archives: Culture and the Arts

That is how they lived

By Zubeida Mustafa

THERE has been much talk of late about the distortion of history in Pakistan. Another feature of our historiography that our eminent historian Dr Mubarak Ali has lamented is the excessive focus on rulers and not enough being written about the ruled. We need more of ‘popular history’.

In that context I have found the Citizens Archive of Pakistan an innovative and commendable enterprise that should fill this void that has been growing as the primary sources of history — the people who lived through an era — are drying up. Founded by the Oscar-winning filmmaker, Sharmeen Obaid-Chinoy, CAP, to use its acronym, describes itself as the “first ever youth-led private initiative to collect, archive, study, disseminate and exhibit all aspects of Pakistan’s history both before and after partition”. Continue reading That is how they lived

The genesis of violence

By Zubeida Mustafa

IN his excellent keynote address at the fourth Karachi Literature Festival, Urdu fiction writer Intizar Husain, one of the 10 finalists for the Man Booker International Prize for 2013, eloquently reflected on a dilemma.

Should we be celebrating literature in the catastrophic times we live in when people are being killed by the hundreds?

Intizar Sahib said he first delved into the wealth of Urdu and Persian poetry but could not find an answer to his question. To his credit, the speaker turned to prose and the legendary One Thousand and One Nights provided him an insight into how literature could be turned to one’s advantage in adverse circumstances. Didn’t Scheherzade buy her reprieve from execution by her storytelling gift? “Literature can change human nature,” Intizar Sahib concluded in support of the literature festival. Continue reading The genesis of violence

Changing mindsets

By Zubeida Mustafa

WHEN Sheema Kermani launched her play Zehreela Dhooan, she probably didn’t realise how formidable would be her battle against the cigarette. In this play a cast of eight earnest people take on the mighty tobacco giants. That is what it amounts to when one tries to persuade smokers to quit smoking, as the play attempts to do.

Photograph courtesy of Tehrik-e-Niswan. Photograph by Lesley D. Biswas.
Photograph courtesy of Tehrik-e-Niswan. Photograph by Lesley D. Biswas.

A powerful presentation — patterned on street theatre with penetrating dialogues rather than elaborate stage props — Zehreela Dhooan does not allow the spectators to go home without provoking some serious thoughts.

True, we are all well-informed about the dangers of smoking — the warning on cigarette packs are a constant reminder of the hazards for smokers. But the play goes beyond that. It stirs one’s emotions. Who will not share the grief of the mother mourning her deceased daughter who fell victim to tobacco? That is what all of Sheema’s presentations set out to do to make a powerful impact on the audience when it identifies itself with the characters in the play and internalises its message. Continue reading Changing mindsets

Catalysts for change

By Zubeida Mustafa

HAVE our writers and artists met the challenges posed by the 21st century? Have they played the role expected of them to promote human rights in our society?

These were the questions posed to the participants of the Sindh Writers/Artists Convention organised by the Human Rights Commission of Pakistan last week.

As was not at all surprising, the answers were as divergent and conflicting as could be expected from the diverse set of speakers assembled for the occasion. There was, however, consensus on the right of every citizen to be educated and to indulge in creative cultural activities and derive pleasure from them. It was deemed obligatory on the state to uphold this right. Continue reading Catalysts for change

NON-FICTION: Keeping a record

Reviewed By Zubeida Mustafa

SALEEM Asmi has worn many hats. Beginning his professional life as a sub-editor in The Pakistan Times in 1959, he rose to be the editor of Dawn. Versatility is his virtue, which means his writings always have a freshness about them. Having known him professionally as a newsperson demonstrating his skills in the newsroom, and later as the editor of Dawn, one who was always willing to go an extra mile to test political waters, I was happy when I saw the collection of his writings from the early years, Saleem Asmi: Interviews, Articles, Reviews. The collection sheds as much light on the writer as the numerous personalities he interviews or writes about. We now see Asmi at his best, as an erudite critic of arts, culture and music.
Continue reading NON-FICTION: Keeping a record